Questions for the February 9th
Meeting on "The Tolkien Reader"
**
The Homecoming of Beortnoth **
1) According to the
fragment of the poem now called The Battle of Maldon, what were the
last words of Beorhtwold, Beorhtnoth’s old retainer? What are their
significance?
2) Why does
Beorhtwold’s station make the principle he states more pure, clear, and
profound? How can this have influenced Tolkien’s use of hobbits as heroic
characters in The Lord of the Rings?
3) In Tolkien’s
opinion, what other line is key to understanding the full force of the poem?
How does this influence the “northern heroic ideal” and how does it impact the
depiction of heroism in his works?
4) Compare and
contrast Beorhtnoth’s death with the death of Thorin.
5) How did Theoden
embody the “northern heroic ideal”?
**
Tree and Leaf **
1) Tolkien seems to
represent a sort of Old School Revival in reaction against a pernicious New
School phenomenon. What examples of literature best represent each approach to
fairy-stories?
2) How is the origin
of fairy-stories related to the origin of language?
3) How is the modern
assumption that fairy-stories are for children related to similar attitudes
that comic books and board games are “just for kids”? What is the consequence
of this banishment to the nursery?
4) Why is it that a
need for fantasy actually increases as we age?
5) What historical
event served to awaken Tolkien’s desire for fantasy?
6) Why is drama
inimical to fantasy? Do the technologies underlying modern cinema address this
deficiency? Why or why not?
7) What assumptions
underly Tolkien’s concept of “sub-creation” and how is it significant to the
development of The Lord of the Rings?
8) What is “Real Life”
as Tolkien’s opponents might define it? How could one legitimately desire to
escape from it? How is this illustrated in The Lion, the Witch, and the
Wardrobe?
9) According to
Tolkien, what historical event explains the recurring themes of arbitrary
prohibitions and fellowship with animals in fairy-stories?
10) What is
“eucatastrophe” and how does it emerge in fairy-stories? According to Tolkien,
how does this literary device correspond to reality?
11) How does Leaf
By Niggle correspond to Tolkiens beliefs, aspirations, and his life?
Would you say the story is metaphorical, allegorical, or something else?
12) Leaf By
Niggle was written when Tolkien was not even halfway through writing
what is now called The Fellowship of the Ring and Tolkien
seems to have despaired of ever completing the work. If Leaf By Niggle is
any indication, how did Tolkien expect his life’s work to be regarded after his
death? Contrast this to how he is actually viewed today.
**
Farmer Giles **
“This is the hour of
the Shire folk, when they arise from their quiet fields to shake the towers and
counsels of the great.” — The Lord of the Rings, Book II Chapter 2.
1) How well does the
story Farmer Giles of Ham follow the precepts outlined
in On Fairy Stories?
2) How does the tale
incorporate elements of historical and geographical fact?
3) How does Farmer
Giles primarily gain his experience points: for killing monsters, finding
treasure, or selling magic items?
4) How does the ending
of the story comport with the implied end-game of the early editions of Dungeons
& Dragons?
5) Compare and
contrast Farmer Giles with the heroes of The Hobbit and The
Lord of the Rings.
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